I was trained at the School of the Chambre Syndicale de la Joaillerie BJO RUE DU LOUVRE in PARIS (professional school of union chamber of Jewellery)

At a certain point in my life, it became clear to me that I wanted to create the jewellery pieces I was imagining, and I wanted to see them worn by contemporary, inspiring women, So I created my company – or could I say, my little Jewellery house IN FINE JOAILLIER
CREATEUR. In Fine in Latin means ‘at the end’, at the end there is the jewellery. When a woman dresses and puts on perfume, the final touch is the jewellery she chooses to wear.

The materials I use are precious: gold, platinum, sometime silver, precious stones, gemstones, and ornamental stones.

My working techniques are traditional, starting with thinking about a creative path, then moving on to creative drawings, sketches, before moving very quickly to the workshop, where I work at the workbench, combining two methods:

• I work directly with precious metal: I saw it, cut it, stamp it, anneal it (we work a lot with blowtorches), forge it and bend it into the desired shape,

• I work by sculpting the wax for very voluminous shapes, representations of movement, floral animal representations, so this is the lost wax casting technique.

Whether someone commissions a piece of jewellery from me, or makes a piece I’ve made their own, each piece of jewellery reflects a precise creative path, moments of emotion that I capture. For me, jewellery is an extension of the person who wears it. It reveals who we are: light, deep, cheerful, melancholy, combative, wise, carrying a message, it can also be the translation of our dreams and expectations. When I design and create a piece of jewellery, I try to express our strengths, our weaknesses, our struggles, our joys, our dreams and our
emotions.